Music Mentors

Mar 24

2008 TED Prize winner and renowned author, Dave Eggers has found a way to make a difference for kids in public schools. His 826 Valencia tutoring center has inspired others around the world to open their own volunteer-driven, creative writing labs.

Watching this clip, I couldn’t help but think this same volunteer and mentoring approach can be applied to public school music programs in need of advocacy and support. If your local school music programs are struggling and you’d like to find a way to help, this video clip is sure to inspire some exciting ideas.

Please share your thoughts on how this approach could work for music and the arts.

For students and parents who may be stressed out over testing, here’s a lullaby for the times. Grammy Award-winning children’s artist Tom Chapin offers the “Not on the Test” song and video to raise awareness about the importance of music education in all classrooms and to express concern about what is missing from American public education. “Not on the Test,” with music and lyrics by Chapin and his long-time collaborator John Forster, and produced by PST Records, can be downloaded at www.notonthetest.com.

Additional information and advocacy links can be found here.

A new Harris Interactive executive omnibus poll of senior business leaders shows a positive association between music education with career advancement. Overall, nearly three-quarters of executives (73 percent) were involved in some type of music program while in school.

The October 2007 Harris Poll that I referenced in my previous post showed music education at an early age greatly increases the likelihood that a child will grow up to seek higher education and ultimately earn a higher salary. This new poll, looking specifically at executives in top companies across the nation, confirms the October poll findings demonstrating music education provides skills and attributes that can lead to success in careers later in life.

Seventy-two percent of executives with music education feel music education equips people to be better team players in their careers and 71 percent feel music education provides you with a disciplined approach to problem solving.

Dr. Elliot W. Eisner of Stanford University reports the arts have cognitive effects, aiding in the preparation for entry into the workforce of the 21st century. Specifically, he cites the following key competencies as being developed through arts education: perception of relationships, skills in finding multiple solutions to problems; attention to nuance; adaptability; decision making skills; and visualization of goals and outcomes.

As stated in my “Do We Really Need a Reason” post, and reinforced by reader’s comments, I celebrate music making for very different reasons than the findings stated in these two Harris Polls. However, in this era of arts program budget cuts it’s good to have more advocacy tools, such these studies, to fight for what we know is important to educating the whole child… arts education. And, if we need it, thanks to this most recent study, we have “yet another reason.”

It’s true, especially in online learning. An engaged instructor can be the difference between a thriving online course and one that falls victim to attrition and failing grades. We see how effective online faculty can be every day with Berkleemusic.

I just read an excellent article on keeping online learners engaged and recommend it to anyone involved in teaching and learning online. The article is entitled “Distant, Not Absent,” by Ann McClure from universitybusiness.com.

“I don’t think there is anything that
can help retention as much as an
engaged faculty member.”

-Ken Udas, Penn State World Campus

Because online students are not receiving visual clues from the instructor, they can feel isolated. An engaged faculty member can help students overcome those feelings. “Teacher presence is a cornerstone of online learning, along with social presence and cognitive presence,” says George Saltsman, the director of Educational Technology for the Adams Center for Teaching and Learning at Abilene Christian University.

For more information, please check out the full article.

And, thank you Berkleemusic faculty, for all that you do to help our continuing education students feel part of our educational community!

So, what’s it like from a teacher’s perspective? What kinds of tools and technologies are used? How much can a student really learn in this environment? Do the students learn from each other? How is teaching online different from teaching in a traditional classroom environment?

To find answers to these questions, I turned to one of our pioneer educators with Berkleemusic: Matt Marvuglio, Dean of the Performance Division at Berklee.

In the following clip from October 2007, Matt shares his thoughts on what it’s like to teach Ear Training online through Berkleemusic.

How do you go from being thousands of miles away from your instructor in an online course, to several feet away from him onstage performing a show? Berkleemusic is the answer! Here’s Berkleemusic student Jeanine Guidry and her instructor, Dave Olsen’s story.

Berkleemusic business faculty, Dave Olsen was teaching Legal Aspects of the Music industry during the Spring 2007 semester. As Jeanine recalls, “During one weekly scheduled course chat, another student asked him if he played any instruments, and he said keyboards and a little bass,” Jeanine said. “I jokingly said he should come to Richmond next weekend because our band has two shows and because of high school graduations, we had no keyboards or bass. Well, turns out that Dave had to be in New York on Friday, and he just changed his plane ticket to stop in Richmond and played with us Saturday afternoon and late Sunday morning! It was an amazing weekend.”

Dave Olsen is also helping the band to reach one of its long-term goals. He was instrumental in signing the band Evanescence’s first sheet music publishing deal, is going to use some of his connections to help Offering publish one of its original songs.

“That brings me to one of the reasons I love Berkleemusic—the connections and contacts. If you invest yourself you can develop work/music relationships and even friendships that will last a long time,” Jeanine said.

There are lots of stories like this amongst the continuing education student body at Berkleemusic. It’s a vibrant learning community where professional connections that make a difference are made.

Sandy Feldstein was a legend in the music education industry. He was also my mentor and my uncle. Sandy authored more than 700 musical compositions and method books in all educational areas, and held leadership positions throughout the industry, including the executive Vice President of Alfred Publishing, the President of Columbia Pictures Publications and Belwin Music Inc., the President of Warner Bros. Publications and the President of Carl Fischer Music before devoting his full time to his own company, PlayinTime Productions, Inc. More on Sandy’s life and career can be found here. Sandy helped to mentor and accelerate the careers of so many in the music education industry. He led by example and everyone lined up to be on his team.

In the following interview, shot in August 2006, Sandy discusses different types of career opportunities there are for music educators beyond the classroom including writing, arranging, and consulting. Sandy had a very successful career in the music education publishing industry and offers insight and an entrepreneurial spirit into the possibilities and opportunities available to aspiring music educators today.

For more interview clips with Sandy, click here.

These days, the resources for music educators to get up-and-running with a technology-infused curriculum are vast. There are online courses, books, magazines, Web sites, workshops, and even organizations soley devoted to helping music educators become technologically savvy and avail themselves to the tools of technology for the music classroom. As Andrew Surmani, Vice President at Alfred Publishing believes teachers must always remain up-to-date on discovering and implementing the newest technologies in the classroom because today’s youth are growing up with technology as a constant factor in their lives.

Check out these helpful resources to get you started with music technology in the classroom:

Professional Development and Educational Resources
Berkleemusic, Fully accredited online courses from Berklee College of Music’s continuing education division. Courses are available in all areas of music including music technology.

<TI:ME (Technology Institute for Music Education) An organization that helps music educators apply technology to improve teaching and learning music.

Books and Magazines
Music Education Technology

Technology Guide for Music Educators

Finale: An Easy Guide to Music Notation

There is also a wealth of articles and video interviews regarding the use of music technology in the classroom in the Education section of Artists House Music under Resources. I invite you to take your time and explore these avenues until you find one that is right for you.